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The
George Burns and Gracie Allen Show, which premiered on 12 October
1950, was one of the first comedy series to make the successful
transition from radio to television. Similar to the format of the
radio program in which George Burns and Gracie Allen played themselves,
the CBS domestic comedy was set in their home, the first television
series to depict the home life of a working show business couple.
The
half-hour series was broadcast live for the first two seasons. The
first six episodes were broadcast from New York, but the show soon
moved to Hollywood, making it only the third CBS series to emanate
from the West Coast (after The Ed Wynn Show and The Alan
Young Show). On Burns' insistence, the show was broadcast on
alternate weeks in order to provide sufficient time for rehearsals
and alleviate some of the pressures of live broadcasts. During its
bi-weekly period, the series alternated with the anthology series
Starlight Theater and, later, with Star of the Family.
After two seasons of live performances, the series switched to a
weekly filmed broadcast. Although not filmed before a studio audience,
the final filmed product was previewed to an audience and their
reactions recorded. At a time when many series relied on mechanically
reproduced ("canned") laughter, Burns claimed that his series only
"'sweetened' the laughter when a joke went flat and there was no
way of eliminating it from the film. Even then we never added more
than a gentle chuckle."
Like
other television pioneers such as Desi Arnaz and Jack Webb, George
Burns must also be credited for his contributions behind the scenes.
Burns and Allen incorporated a number of television "firsts,"
although Burns noted that "television was so new that if an actor
burped, everyone agreed it was an innovative concept and nothing
like it had ever been done on television before." Still, he was
the first television performer to use the theatrical convention
of "breaking the fourth wall" between the audience and the performer.
He frequently stepped out of a scene and out of character to address
the audience, then rejoined the story. This convention was later
imitated by others, but not used effectively until It's Garry
Shandling's Show in the 1980s.
The
staff writers for the series were those who had written for the
Burns and Allen radio program or worked with the team in vaudeville,
including Paul Henning (who later created The Beverly Hillbillies),
Sid Dorfman (who later wrote for M*A*S*H and produced Good Times
for Norman Lear), Harvey Helm, and William Burns, George's younger
brother. To keep dialogue and situations consistent with the characters'
personalities and ages, the writers adhered to policies and practices
established during their radio show. The stories stayed away from
topical humor, fantastic characters, and absurd situations and focused
instead on more universal aspects of daily life. Plots were simple
(e.g., Gracie attempting to learn Spanish) and, like their vaudeville
routines, the comedy emanated from Allen's uniquely skewed interpretation
of the world and the resulting confusion. Burns played the quintessential
straight man to the giddy, scatterbrained Allen.
Each
episode began with Burns standing, trademark cigar in hand, before
the proscenium surrounding their living room set. There he presented
a brief monologue, then offered the audience a few comments regarding
the situation they were about to see.
Allen's
success, and her enormous popularity, emanated from her ability
to underplay her character. Her convincing sincerity makes illogical
premises, such as sewing buttons on her husband's shirttails so
no one would notice if he lost one, seem logical.
Episodes
ended with a Burns and Allen dialog reminiscent of their vaudeville
routines. At the conclusion, of every episode Burns would turn to
Allen and close, "Say goodnight, Gracie," to which Allen would obligingly
turn to their audience and fondly bid them "goodnight."
The
supporting cast continued in roles established in the original Burns
and Allen radio program. Bea Benaderet and Hal March played
the Burns' neighbors, Blanche and Harry Morton. Bill Goodwin, as
himself, played the show's announcer and friend of the family, and
Rolfe Sedan played mailman Mr. Beasley, with whom Gracie gossiped.
During the run of the series, the role of Harry Morton was subsequently
played by John Brown, Fred Clark, and Larry Keating. In the second
season, announcer Goodwin left to host his own variety series (The
Bill Goodwin Show, NBC) and was replaced by Harry Von Zell.
A musical entr'acte entertainment was provided by The Singing Skylarks.
The Burns' son Ronnie later joined the cast as himself.
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Although
Burns and Allen was never among the top-rated series, it
maintained consistently high ratings throughout its eight seasons.
The show garnered a total of twelve Emmy nominations: four for best
comedy series, six for Allen as best actress and comedienne, and
two for Bea Benaderet as best supporting actress.
The
series ended on 22 September 1958 with Allen's decision to retire
from show business. Burns continued working in a revamped version
of the show, The George Burns Show (NBC, 21 October 1958
to 14 April 1959), in which he again played himself, now in the
role of a theatrical producer. Bea Benaderet and Larry Keating reprised
their roles as Blanche and Harry Morton, but now portrayed Burns'
secretary and accountant and Harry Von Zell repeated his role as
Burns' announcer. The series lasted only one season.
Burns
returned to series television again in 1964 as producer and star
of Wendy and Me (ABC, 14 September 1964 to 6 September 1965),
in which he played an apartment building owner who narrated and
commented on the action. Burns' McCadden Productions continued to
produce other situation comedies, such as Mr. Ed, The
Bob Cummings Show, The People's Choice, and The Marie
Wilson Show. In 1985, at age 89, Burns hosted the short-lived
half-hour comedy anthology series George Burns Comedy Week (CBS,
18 September 1985 to 25 December 1985).
-Susan
Gibberman
CAST
George
Burns....................................................Himself
Gracie Allen.......................................................Herself
Blanche Morton.......................................Bea
Benaderet
Harry Morton (1950-1951)................................Hal
March
Harry Morton (1951)......................................John
Brown
Harry Morton (1951-1953)...............................Fred
Clark
Harry Morton (1953-1958)...........................Larry
Keating
Bill Goodwin (1950-1951).....................................Himself
Harry Von Zell (1951-1958)..................................Himself
Mr. Beasley, Mailman..................................Rolfe
Sedan
Ronnie Burns (1955-1958)...................................Himself
Bonnie Sue McAfee (1957-1958).................Judi Meredith
PRODUCERS
Fred DeCordova,
Al Simon, Ralph Levy, Rod Amateau
PROGRAMMING
HISTORY
239 Episodes
CBS
October 1950-March 1953 Thursday 8:00-8:30 March 1953-September
1958 Monday 8:00-8:30
FURTHER
READING
Blythe,
Cheryl and Susan Sackett. Say Goodnight Gracie: The Story of
George Burns & Gracie Allen. Rocklin, California: Prima Publishing
& Communications, 1989.
Burns,
George. Gracie: A Love Story. New York: Putnam's, 1988.
Burns,
George and Cynthia Hobart Lindsay. I Love Her, That's Why!: An
Autobiography. New York: Simon and Schuster, 1955.
"Burns
and Allen Bow on Television: Radio Comedians Successful in Transition
to Video; Gracie as Zany as Ever." New York Times, 13 October
1950.
"George
Burns and Gracie Allen." Current Biography, 1951.
"Gracie
Ends Act With George." Life (New York), 22 September 1958.
Morris,
J. K. "Gracie Allen's Own Story: Inside Me." Woman's Home Companion
(New York), March 1953.
See
Also Allen,
Gracie; Comedy,
Domestic Settings; Burns,
George; Family
on Television
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