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Michael
Ovitz established himself as a major force in Hollywood while heading
the powerhouse talent agency Creative Artists Agency (CAA), founded
in 1975 by a group of breakaway talent agents from the William Morris
agency. Initially an important television packager, CAA under Ovitz's
direction expanded into film, investment banking, and advertising,
becoming the dominant talent agency in Hollywood. In 1995, Ovitz
parlayed his dealmaking skills into a new position as President
of the Walt Disney Company, where he will oversee Disney's vast
empire of theme parks, films, consumer products, and its 1995 acquisition,
Capital Cities/ABC.
Ovitz's
career at CAA was multifaceted. As talent agent for major film stars
such as Tom Cruise, Dustin Hoffman, Kevin Costner, Michael Douglas,
Sylvester Stallone, and Barbra Streisand, in addition to prominent
directors such as Steven Spielberg, Barry Levinson, and Sydney Pollack,
Ovitz was credited with putting together the major elements of hit
films such as Rain Man, Cliffhanger, and Jurassic Park.
But Ovitz's power and influence extended far beyond the creation
of specific works of entertainment and into the very organization
of the media industries in the United States and throughout the
world. As a well-known broker between talent and financiers, he
was hired as investment adviser for several significant industry
transactions, including Sony's 1989 purchase of Columbia Pictures
for $3.4 billion, the French bank Credit-Lyonnais' rescue of MGM
in 1993, Matsushita's purchase of entertainment conglomerate MCA
for $6.6 billion in 1990, and its subsequent sale of that organization
to the Seagram Company in 1995. On another front, Ovitz and CAA
shook up the advertising industry by winning Coca-Cola's global
advertising account in 1991. Seeking to target fragmented television
audiences with diverse and innovative commercials, CAA produced
the "Always Coca-Cola" advertising campaign, which successfully
popularized Coke-drinking computer animated polar bears.
Ovitz's
canny strategies for winning clients and making deals are evident
in his earlier work as a television "packager." Talent agencies
often combine elements of a proposed program, choosing actors, script,
and a director from among their stable of clients, then shopping
this "package" to the networks for approval and financing. If a
network accepts the package deal, the talent agency receives an
overall packaging fee from the network, usually a percentage of
the program's production budget and a percentage of the syndication
profits. Packaging fees are more lucrative for a talent agency than
individual clients' fees. In the 1970s, CAA packaged television
programs such as the game show Rhyme and Reason, the Rich
Little Show, and the Jackson Five Show.
To
compete with other talent agencies, CAA set its packaging fee at
3%, undercutting the 5% charged by other agencies. Ovitz also developed
close ties with entertainment lawyers, who brought new clients to
CAA. Furthermore, Ovitz understood that good stories and scripts
would attract important acting and directing talent. His cultivation
of the literary agent Morton Janklow, whose clients include fiction
writers Jackie Collins, Danielle Steele, and Judith Krantz, enabled
CAA to package nearly 100 hours of successful television miniseries,
including Rage of Angels, Princess Daisy, Mistral's Daughter,
and Hollywood Wives. Recent CAA packages include Beverly
Hills 90120 and The John Larroquette Show.
Under
Ovitz, CAA applied similar strategies to the film industry. CAA
has attracted top acting and directing talent, in part by representing
successful screenwriters who produce desirable scripts, but also
because CAA often "packages" film projects with client writers,
actors, and directors before shopping the projects to film studios
for financing and production. Despite film studio executives' accusations
that CAA has driven up the cost of talent, CAA agents have had close
relations with film studio executives, especially with those who
rely on CAA to negotiate their own employment contracts with the
studios.
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Beyond
talent brokering for film and television, Ovitz has also worked
with companies developing the new technologies that may deliver
tomorrow's entertainment. He has been a consultant to AT and T and
to Bill Gates, head of the computer software giant Microsoft. In
1994 Ovitz consulted with Bell Atlantic, Nynex, and Pacific Telesis
to create Tele-TV, a video programming service that may one day
carry interactive services over telephone lines. As Ovitz has explained,
at some point soon, "There will be a high-tech box on your television
set that enables you to access a cornucopia of choices." Once in
place, according to Ovitz, "There will be the most incredible shortage
of product!" Consequently, Ovitz says, in a 1993 Time magazine interview,
"I want to feed that box".
In 1995 Ovitz rattled the power structure of Hollywood when he agreed
to sell his stake in CAA in order to become president of the expanding
Walt Disney Company. Working with Disney chairman Michael Eisner,
Ovitz is expected to oversee Disney's film studio, television production
company, theme parks and resorts, and Disney's 1995 $19 billion
acquisition, Capital Cities/ABC. His skill as a talent agent is
expected to improve Disney's relations with top Hollywood talent,
as well as help Disney integrate its products throughout Disney's
diverse media holdings, which include film, animation, television
programming, publishing, cable television, and the national broadcast
network, ABC. As a leader of what appears to be the world's largest
entertainment conglomerate, Ovitz will be well-positioned to "feed
that box" with Disney entertainment, whatever shape the box may
eventually take.
-Cynthia
Meyers
MICHAEL
OVITZ. Born in Chicago, Illinois, U.S.A., 14 December 1946.
Graduated from University of California, Los Angeles, 1968; briefly
attended law school. Married Judy Reich, 1969; children: Christopher,
Kimberly, and Eric. Joined William Morris Agency, first as trainee,
then as agent, 1969-75; co-founder of Creative Artists Agency, 1975,
and served as chair until joining Disney; president and member of
board of directors, Walt Disney Company, since 1995. Address: Walt
Disney Company, 500 South Buena Vista Street, Burbank, California
91521, U.S.A.
FURTHER
READING
Castro,
Janice. "Ovitz Defends his Power" (interview). Time, 19 April
1993.
Gabler,
Neal. "Revenge of the Studio System." The New York Times
(New York), 22 August 1995.
Grover,
Ronald. "Disney: Room for Two Lion Kings?" Business Week (New
York), 28 August 1995.
______________.
"Ovitz: How Many Fields Can the King of Hollywood Conquer?" Business
Week (New York), 9 August 1993.
Litwak,
Mark. Reel Power. New York: New American Library, 1986.
See
also American
Broadcasting Company
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