
Adventures of Ozzie and Harriet
CAST
Ozzie
Nelson...................................................Himself
Harriet Nelson..................................................Herself
David Nelson...................................................Himself
Eric "Ricky" Nelson..........................................Himself
"Thorny" Thornberry (1952-59)....................Don DeFore
Darby (1955-61).........................................Parley
Baer
Joe Randolph (1956-66)...............................Lyle Talbot
Clara Randolph (1956-66)......................Mary Jane Croft
Doc Williams (1954-65)..............................Frank
Cady Wally (1957-66)..........................................Skip
Jones Butch Barton (1958-60)...........................Gordon
Jones June (Mrs. David) Nelson (1961-66)................June
Blair Kris(Mrs. Rick) Nelson(1964-66).............Kristin
Harmon
Fred (1958-64).........................................James
Stacy
Mr. Kelley (1960-62)......................................Joe
Flynn Connie Edwards (1960-66).................Constance
Harper
Jack (1961-66)........................................Jack Wagner
Ginger (1962-65)................................Charlene
Salerno
Dean Hopkins (1964-66)...............................Ivan
Bonar
Greg (1965-66)....................................... Greg Dawson
Sean (1965-1966)....................................Sean
Morgan
PRODUCERS
Ozzie Nelson, Robert Angus, Bill Lewis, Leo Penn
PROGRAMMING HISTORY 435 Episodes
ABC
October 1952-June 1956
- Friday 8:00-8:30
October 1956-September 1958
- Wednesday 9:00-9:30
September 1958-September 1961
- Wednesday 8:30-9:00
September 1961-September 1963
- Thursday 7:30-8:00
September 1963-January 1966
- Wednesday 7:30-8:00
January 1966-September 1966
- Saturday 7:30-8:00
The Adventures
Of Ozzie And Harriet was one of the most enduring family-based
situation comedies in American television. Ozzie and Harriet Nelson
and their sons David and Ricky (16 and 13 respectively at the time
of the program's debut) portrayed fictional versions of themselves
on the program. The Nelsons embodied wholesome, "normal" American
existence so conscientiously (if blandly) that their name epitomized
upright, happy family life for decades.
Ozzie and
Harriet started out on radio, a medium to which bandleader Ozzie
Nelson and his singer/actress wife Harriet Hilliard had gravitated
in the late 1930s, hoping to spend more time together than their
conflicting careers would permit. In 1941 they found a permanent
spot providing music for Red Skelton's program, a position that
foundered when Skelton was drafted in 1944. In that year, the energetic
Ozzie Nelson proposed a show of his own to network CBS and sponsor
International Silver--a show in which the Nelsons would play themselves.
Early in its run, the radio Adventures of Ozzie and Harriet
jettisoned music for situation comedy. Ozzie Nelson himself directed
and co-wrote all the episodes, as he would most of the video shows.
The Nelsons
signed a long-term contract with ABC in 1949 that gave that network
the option to move their program to television. The struggling network
needed proven talent that was not about to defect to the more established---and
wealthier--CBS or NBC.
The television
program premiered in 1952. Like its radio predecessor, it focused
on the Nelson family at home, chronicling the growing pains of the
boys and their parents and dealing with mundane issues like hobbies,
rivalries, schoolwork, club membership, and girlfriends. Eventually
the on-screen David and Ricky (although never the off-screen David
and Ricky) graduated from college and became lawyers. When the real
David and Rick got married, to June Blair and Kristin Harmon respectively,
their wives joined the cast of Ozzie and Harriet on television as
well as in real life.
Ozzie and
Harriet lasted 14 years on American television, remaining on
the air until 1966. Although never in the top ten of rated programs,
it did well throughout its run, appealing to the family viewing
base targeted by ABC. The program picked up additional fans in April
1957, when Rick sang Fats Domino's "I'm Walkin'" on an episode titled
"Ricky the Drummer."
As soon as the
Nelsons realized how popular their singing son was going to be,
the televisual Rick was given every opportunity to croon over the
airwaves by his father/director/manager. Sometimes his songs fitted
into the narrative of an episode. Sometimes they were just tacked
onto the end--early music videos of Rick Nelson in performance.
Despite this
emphasis on Rick's vocal performances, and despite the legion of
young fans the program picked up because of its teenage emphasis,
the character of Ozzie dominated the program. The genial, bumbling
Ozzie was the narrative linchpin of Ozzie and Harriet, attempting
to steer his young sons into the proper paths (usually rather ineffectually)
and attempting to assert his ego in a household in which he was
often ill at ease.
That ego, and
that household, were held together by wise homemaker Harriet. Although
she may have seemed something of a cipher to many viewers, clad
in the elegant dresses that defined the housewife on 1950s television,
Harriet represented the voice of reason on Ozzie and Harriet,
rescuing Ozzie--and occasionally David and Rick--from the consequences
of over-impulsive behavior.
Ironically,
in view of the weakness of paterfamilias Ozzie's character, the
program was viewed, during its lengthy run as now, as an idealized
portrait of the American nuclear family of the postwar years. The
Nelsons eventually shifted their program into color and into the
1960s. Nevertheless, in spirit, and in the popular imagination,
they remained black-and-white denizens of the 1950s.
-
Tinky "Dakota" Weisblat
Barringer,
Felicity. "Dialogue that Lingers: 'Hi, Mom.' 'Hi, Pop,' 'Hi, David,'
'Hi, Rick.'" The New York Times, 9 October 1994.
Holmes,
John R. "The Wizardry of Ozzie: Breaking Character in Early Television."
Journal of Popular Culture (Bowling Green, Ohio), Fall, 1989.
Mahoney,
Marie Ann. The Adventures Of Ozzie And Harriet: A Text in Context.
Masters Thesis, The University of Texas at Austin. 1987.