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ALLEN, DEBBIE
 Debbie Allen DEBBIE
ALLEN.
Born 16 January 1950 in Houston, Texas, U.S. Educated Howard University,
Washington, D.C., BFA (with Honors), 1971; studied with Ballet Nacional
and Ballet Folklorico (Mexico); Houston Ballet Foundation, Houston
Texas; New York School of Ballet. Married (1) Wim Wilford (divorced);
(2) Norm Nixon; children: Vivian Nicole, Norm, Jr. Began career
as dancer with George Faison Universal Dance Experience; AMAS Repertory
Theatre; taught dance, Duke Ellington School of Performing Arts;
in television as actor from 1973; actor/producer/director/coreographer
of various television shows, miniseries, and specials. Recipient:
3 Emmy Awards, 1 Golden Globe Award for Choreography, Fame,
the television series; Ford Foundation Grant; Black Filmmakers Hall
of Fame Clarence Muse Youth Award, 1978; Drama Desk Award, 1979;
Out Critics Circle Award (West Side Story), 1980.
TELEVISION
SERIES
1977
3 Girls 3
1982 Fame
1987 Bronx Zoo (director)
1987-93 A Different World (producer/director)
1990-96 Fresh Prince of Bel-Air (director)
1990 Quantum Leap (also director)
1995 In the House (also director)
MADE-FOR-TELEVISION
MOVIES
1977 The Greatest Thing That Almost Happened
1980 Ebony, Ivory and Jade
1983 Women of San Quentin
1989 Polly (director)
1990 Polly - Comin' Home!
1992 Stompin' at the Savoy
TELEVISION
MINISERIES
1979
Roots: The Next Generations
1984 Celebrity
TELEVISION
SPECIALS
Choreographer
1982, 91-95 The Academy Awards
1983 The Kids from Fame
1989 The Debbie Allen Special (co-writer, producer, director,
choreographer)
1992 Stompin' at the Savoy (director)
FILM
The
Fish That Saved Pittsburgh (1979); Ragtime (1981); Jo
Jo Dancer, Your Life Is Calling (1986); Mona Must Die
(1994); Blank Check (1994); Forget Paris (Choreographer)
(1995); Out-of-Sync (1995) (Director).
STAGE
Purlie
(1971); Ti-Jean and His Brothers (1972); Raisin (1973);
Ain't Misbehavin' (1978); The Illusion and Holiday
(1979); West Side Story (1980); Louis (1981); The
Song is Kern! (1981); Parade of Stars at the Palace (1983);
Sweet Charity (1986). Carrie (1988)
U.S. Actor/Director/Producer/Choreographer
Debbie Allen
began her show business career on Broadway in the 1970s. Her debut
in the chorus of Purlie and her performance in A Raisin In the
Sun were noted by stage critics, and in a 1979 production of
West Side Story her performance as Anita earned her a Tony
Award nomination and a Drama Desk Award. Allen later returned to
Broadway as a star, and garnered her second Tony nomination, with
a 1986-87 performance in Sweet Charity. In 1988, she choreographed
Carrie, a newly composed American musical, with the Royal
Shakespeare Company.
Allen's stage
presence and choreography quickly moved her from the Broadway stage
to the larger venue of television. Throughout the 1970s she made
guest appearances on popular programs such as Good Times,
The Love Boat and The Jim Stafford Show. Her roles
in the miniseries Roots: The Next Generation and the special,
Ben Vereen--His Roots, allowed her to work with some of the
most prominent African American performers in show business and
to demonstrate her dramatic and comedic acting range. She also appeared
in the short-lived 1977 NBC series 3 girls 3. Her latest
television role was in the NBC situation comedy, In the House.
In this series, which first aired in April 1995, Allen played a
newly divorced mother of two who shares her house with a former
football star, played by rap artist L.L. Cool J.
In the early
1980s, a portrayal of the dance instructor, Lydia Grant, on the
hit series Fame brought the name Debbie Allen to international
prominence. Although the NBC show was canceled after one season,
the program went on to first-run syndication for four more years.
Its popularity in the United Kingdom prompted a special cast tour
in England and spurred a "Famemania" fan phenomena.
Allen's success
as a dancer and actress allowed her to move behind the camera to
direct and produce. While still a cast member of Fame she
became the first African American woman hired by a television network
as a director in prime time. In 1989, after directing episodes of
Fame, she co-wrote, produced, directed, choreographed and starred
in The Debbie Allen Special for ABC. She received two Emmy
nominations, for direction and choreography of this variety show.
In 1988, Allen
solidified her reputation as a television director and producer
by turning a flawed television series, A Different World,
into a long running popular program. Under her leadership the program
addressed political issues such as apartheid, date rape, the war
in the Persian Gulf, economic discrimination, and the 1992 Los Angeles
riot. The highest rated episode focused on sexual maturity and AIDS
and guest starred Whoopi Goldberg, who was nominated for an Emmy
award. Allen was awarded the first Responsibility in Television
award from the LA Film Teachers Association for consistently representing
important social issues on A Different World.
In 1989, Allen
made her debut as a director of made-for-television movies with
a remake of the 1960 film, Pollyanna. The telefilm, titled
Polly, starred two players from The Cosby Show, Phylicia
Rashad and Keshia Knight Pullman. Set in 1955, Polly is a
musical tale of an orphan who brings happiness to a tyrannical aunt
and a small Alabama town. The film was produced by Disney and NBC.
Television critics hailed the display of Allen's keen sense of innovative
camera work, stemming from her ability to choreograph. The film
is also notable for its all Black cast and for succeeding in a genre,
the musical film, rarely popular on television. Allen followed Polly
with a sequel which aired in November 1990.
In 1990-91,
Allen directed the pilot and debut episode of Fresh Prince of
Bel-Air, a series which currently enjoys high ratings on NBC.
Also in 1990-91, she directed a highly rated episode of Quantum
Leap in which she co-starred. In October 1991, Allen received
her star on the Hollywood walk of Fame for her achievements in television.
In 1992, Allen directed Stompin' at the Savoy for the CBS
network. This program included a cast of prominent performers from
the African American community: Lynn Whitfield, Vanessa Williams,
Jasmine Guy, Vanessa Bell Calloway and Mario Van Peebles.
Complementing
Allen's versatility as a television actor is a repertoire of critically
acclaimed film roles. In 1986 she played Richard Pryor's feisty
wife in his semi-autobiographical film Jo-Jo Dancer Your Life
Is Calling and she co-starred with Howard E. Rollins and James
Cagney in Milos Foreman's Ragtime in 1981. Allen's debut as a feature
film director will be the upcoming film Out of Sync starring
LL Cool J, Victoria Dillard, and Yaphet Kotto.
Presently, Allen
is one of the few African American women working as a director and
producer in television and film. Her success in TV and film production
has not deterred her from her love of dance and she continues to
dazzle television viewers with her choreography. In 1982, she choreographed
the dance numbers for the Academy Awards and for the past consecutive
five years, her unique style of choreography has been featured on
the worldwide broadcast of the Award ceremony. For over twenty years,
Allen's contributions to television, on the three major networks
and in syndicated programming, have highlighted the maturity of
a performer and artistic producer with an impressive spectrum of
talents in the performing arts.
-Marla Shelton
FURTHER
READING
"Doing
It All--Her Way! Versatility Reaps Multiple Successes for This Exciting
Entertainer." Ebony (New York), November 1989.
Dunning,
Jennifer. "Debbie Allen Chips Away At the Glass Ceiling." New
York Times (New York), 29 March 1992.
Randolph,
Laura B. "Debbie Allen on Power, Pain, Passion and Prime Time."
Ebony (New York), March 1991.
Stark,
John. "It's a Different World For Dancer and Choreographer Debbie
Allen: She's Moved to Prime-Time Directing." People Weekly
(New York), 14 November 1988.
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