Broadcast on
ABC over the course of seven nights in the middle of February 1987,
Amerika was a controversial 14 and 1/2 hour miniseries. Tom
Shales of The Washington Post wrote in December 1996 that
Amerika "Could be the hottest political potato in the history
of television." It was produced by ABC Circle Films, and written
and directed by Donald Wrye, who was also executive producer. This
series depicted life as imagined in the United States in the late
1990s, ten years after the Soviet Union took control of America
employing a Russian controlled UN peace-keeping force.
Some have contended
that Amerika was produced to provide a television counter
to the controversial ABC movie The Day After, which depicted
nuclear holocaust between the U.S. and Russia in 1983. The ABC executive
responsible for both programs denied this view. Brandon Stoddard,
President of ABC Circle films said on 16 October 1986 at a press
tour at the UN Plaza Hotel in New York that the idea for Amerika
"never occurred during the controversy of The Day After,
had nothing to do with The Day After. It happened...the birth
of this idea happened substantially later." Stoddard went on to
say that a critic of The Day After, Ben Stein from the
Herald Examiner had written something, "at a much later point,
a line...that had to do with what would life be like in America
in a Russian occupation." Stoddard was stuck, however, thinking
about how to do such a television program without getting caught
up in the actual struggle of the takeover. Some time later, Stoddard's
spouse suggested doing the project at a point in time ten years
after the takeover.
At the time,
Amerika was the most controversial television event ever broadcast
by ABC. The network received more mail and phone calls about Amerika
before it was on the air than the total pre- and post-broadcast
viewer reaction of any other program in the history of ABC, including
the end of the world story, The Day After.
The critics
of Amerika came from all sides of the political spectrum.
The liberals feared the program would antagonize the Kremlin, jeopardize
arms control and détente. The right thought the miniseries inadequately
portrayed the brutality of the U.S.S.R. The United Nations thought
the movie would erode its image.
Despite the
pre-broadcast level of controversy, most of the public did not object
to the miniseries. Research conducted by ABC before the broadcast
indicated that 96% of the population over 18 did not object to the
program. Most Americans felt strongly that they should have the
right to decide for themselves whether they would watch the program.
While almost
half the country watched The Day After (46.0 rating), Amerika
was seen in 19% of all TV households. Despite lots of publicity,
controversy and viewers, research conducted by Professor William
Adams at George Washington University showed that attitudes about
the things most critics thought would be influenced by Amerika,
did not change. What American's thought about the Soviet Union,
The United Nations, or U.S. Soviet relations did not change in before
and after surveys.
-Guy
Lometti
Devin
Milford......................................Kris Kristofferson
Marion Milford.......................................Wendy
Hughes
General Samanov...........................Armin Mueller-Stahl
Peter Bradford .........................................Robert
Urich
Amanda Bradford....................................Cindy
Pickett
Colonel Andrei Denisov.................................Sam
Neill
Kimberly Ballard...............................Mariel Hemingway
Althea Milford........................................Christine
Lahti
Ward Milford.......................................Richard
Bradford
Helmut Gurtman..................................Reiner Schoene
Herbert Lister..............................John Madden Towney
Will Milford...............................................Ford
Rainey
Lometti,
G.E. "Broadcast Preparations for and Consequences of The Day After."
In, Wober, J.M., editor. Television and Nuclear Power: Making
the Public Mind. Norwood, New Jersey: Ablex, 1992.
Lometti,
G.E. Sensitive Theme Programming and the New American Mainstream.
New York: American Broadcasting Companies, Inc. 1984.