Few individuals
in the history of Canadian television have inspired as much controversy
as John Bassett, a founder of Toronto station CFTO and key figure
in the formation of the CTV network, Canada's first privately-owned
television network. Bassett parleyed a career in journalism and
his financial connections into a major ownership role in Canadian
commercial television. Media historian Paul Rutherford identifies
him as one of the architects of Canadian television.
When in 1959
the Board of Broadcast Governors (BBG), reflecting the views of
the recently elected Conservative government of John Diefenbaker,
decided to allow an expansion of private telecasting in Canada,
the most coveted market was Toronto, seen correctly as a potential
gold mine. Many prominent business groups wanted the license and
nine eventually applied. Bassett joined the Eaton family, owners
of a large department store chain, and others in an enterprise known
as BATON Broadcasting, which was awarded the Toronto rights. When
the winner was announced, the decision was roundly criticized. Some
critics alleged that Bassett, a party insider and (unsuccessful)
candidate for the Progressive Conservative party, had capitalized
on his political connections and personal relationship with the
prime minister. The new licensee also owned the Toronto Telegram,
an unashamedly right-wing supporter of the party. This connection
also aroused concerns about cross-media ownership. Bassett may have
had some influence on the Diefenbaker government's decision to weaken
the television monopoly held by the public network. However, historians
report no evidence that the prime minister personally intervened
in the BBG decision to award the license to BATON.
Conflict of
interest was also suspected when the rights to televise Canadian
professional football games went to BATON, rather than to the CBC
with its national audience. Bassett also owned the Toronto club
in the league at the time. Initially cool to Spence Caldwell's CTV
network, Bassett was forced to come to an agreement with CTV--and
the CBC--to reach a national audience for the then highly popular
Canadian Football League telecasts. The national championship, known
as the Grey Cup game, was a major national event, important to viewers
and profitable for broadcasters with a national audience. Once in
the fold, Bassett came to dominate the private network.
With its prime-time
schedule filled with American imports, CFTO was soon accused of
reneging on its promises during the license hearings to promote
Canadian content. Similar allegations were levelled at the entire
CTV network, and the BBG was seen as either gullible or politically
motivated in failing to enforce promises made during application
hearings. During the BBG hearings, the BATON group had promised
to fight the "battle of Buffalo," appealing to Canadian cultural
concerns about American domination. Bassett's promise was to compete
with Buffalo, New York television stations for Toronto viewers,
many of whom had been watching American programming for some years
before Canadian stations came on the air.
Making matters
worse, BATON agreed to sell stock to the American network ABC, a
move endorsed by the BBG in 1961. Condemnation of the sale was fierce
and sustained. The BBG retracted its decision, but Bassett engineered
a different arrangement whereby ABC would make a substantial loan
to CFTO in return for a contract to provide "management services"
and personnel. This issue arose from concerns about undue American
influence in the operation and development of Canadian television.
CFTO went on
the air on 1 January 1961 and by the early 1970s was extremely profitable.
BATON was clearly the key force behind CTV and provided production
services through Glen Warren Productions. Toronto was the center
for CTV's limited Canadian production activities and Bassett and
his partners began to purchase other media assets, including shares
in other CTV affiliates. At times BATON's ambitions have collided
with other partners in the network. This produced friction with
other ambitious owners.
Bassett ran
BATON from its inception until 1979, when he turned the day-to-day
operations over to his son, Douglas, who has overseen further expansion
of BATON's activities. Well over six feet tall and projecting a
"tough, arrogant" image, John Bassett was a major player in the
development of commercial television in Canada and the erosion of
the dominance of the publicly-owned Canadian Broadcasting Corporation.
Perhaps not surprisingly, given his newspaper background, Bassett's
stations made their greatest contributions in news and public affairs
programming.
-Frederick
J. Fletcher and Robert Everett
Desbarats,
Peter. Guide to Canadian News Media. Toronto: Harcourt Brace
Jovanovich Canada, 1990.
Levine,
Allen. Scrum Wars: The Prime Ministers and the Media. Toronto:
Dundurn, 1993.
Rayboy,
Marc. Missed Opportunities: The Story of Canada's Broadcasting
Policy. Montreal: McGill-Queen's University Press, 1990.
Siggins,
Maggie. Bassett. Toronto: Lorimer, 1979.