Prompted
by widespread public criticism in 1974 the United States Congress
exhorted the Federal Communications Commission (FCC) to take action
regarding the perennial issues of alleged excesses of sex, crime,
and violence in broadcast programming. Early in 1975 Commission
Chairman Richard E. Wiley reported to Senate and House Communications
and Commerce Subcommittees recent steps taken by the FCC. They included
discussions with corporate heads of television networks which resulted
in four strategies for addressing the issues. The network heads
adopted a self-declared "family viewing" hour in the first hour
of network evening prime-time (8:00-9:00 P.M., Eastern time). Actions
by the National Association of Broadcasters' Television Code review
board expanded that "family hour" forward one hour into local station
time (7:00-8:00 P.M.). The NAB also proposed "viewer advisories"
related to program content that might disturb members of the audience,
especially younger people. And the FCC made further efforts to define
what it construed as "indecent" under the law, in a case involving
Pacifica's WBAI(FM), New York.
Arthur
R. Taylor, president of CBS Inc., had championed more acceptable
early-evening programming but could only do so at CBS if competing
networks followed suite. FCC chairman Wiley urged reluctant executives
to adopt these actions. But to avoid inter-corporate collusion they
felt the professional association (NAB) could best orchestrate the
effort through its self-regulatory Industry Code of Practices. Enacting
the code led to several results. Some early-evening shows with comedy
and action deemed less suited for young viewers were displaced to
later hours. West Coast producers, directors, and writers claimed
the new structure infringed on their creative freedom and First
Amendment rights. Later scheduling also led to lower audience ratings,
partly from the stigma attached to some programs as inappropriate
for viewing by families. Popular sitcom All In The Family
suffered from the ruling; its producer Norman Lear protested against
the policy and with celebrity colleagues and professional guilds
mounted a lawsuit against it. Meanwhile some public-interest groups,
including major religious organizations, objected to the policy
for not going far enough; they claimed it sanitized only an hour
or two of TV programming, leaving the rest of the 24-hour schedule
open to "anything goes."
After extensive hearings U.S. district court judge Warren Ferguson
ruled that, while the concept might have merit, the FCC had acted
improperly in finessing the result by privately persuading the three
network representatives to marshall the NAB's code provisions. Normal
FCC procedure was to openly announce proposals for rule-making,
then hold public hearings to develop a record from which federal
rulings might be developed. Thus the Family Viewing policy was scuttled,
apparently to the satisfaction of not only the creative community
that produced programs but to most network personnel who had the
complicated task of applying the principle to specific shows and
time-slots, with direct impact on ratings and time-sales for commercial
spots. Syndicators of off-network reruns also were relieved because
the early-evening "fringe time" programmed by local stations had
been brought into the ambit of the Code's provisions, limiting the
kinds of shows aired then. But the reversal was frustrating to many
members of Congress, to FCC chairman Wiley, and to CBS chief Arthur
Taylor. Dubbed by many the "father of Family Viewing" Taylor had
proclaimed the policy as the first step in twenty-five years to
reduce the level of gratuitous TV violence and sex. John Schneider,
president of the CBS/Broadcast Group, issued a statement after the
court's decision: "The Court recognizes the right of an individual
broadcaster to maintain programming standards, yet it denies this
same right to broadcasters collectively, even though these standards
are entirely voluntary. . . . To rule that broadcasters cannot,
however openly and publicly, create a set of programming standards
consonant with the demonstrated wishes of the American people leaves
only two alternatives: no standards for the broadcasting community
or standards imposed by government, which we believe would dangerously
violate the spirit of the First Amendment. CBS's belief that family
viewing is an exercise of broadcaster responsibility in the public
interest is confirmed by its popular acceptance" reported by a major
publication's two national polls.
The
episode demonstrated the daunting task of guiding a complex mass
entertainment medium in a pluralistic society with varied perspectives
and values. Through the decades television came under increasing
scrutiny for alleged permissiveness in drama and comedy programs.
The theme of excessive "sex and violence" was sounded regularly
in Congressional sessions from Senator Estes Kefauver in the 1950s
to Senator Thomas Dodd in the 1960s and Senator John Pastore in
the 1970s. By 1975 House Communications Subcommittee chairman Torbert
MacDonald, fearing the Family Viewing plan was no more than a public
relations ploy, raised the perennial threat of licensing the source
of national program service, the commercial networks. Meanwhile,
the FCC sought to clarify the U.S. Code provision (Title 18, §1464)
prohibiting obscene, indecent or profane language, to extend explicitly
to visual depiction of such material.
The
issue joined, of course, is the broadcaster's freedom to program
a station or network without censorship by governmental prior restraining
action (or by ex-post-facto penalty that constitutes implied restraint
against subsequent actions). That freedom is closely coupled with
the diverse public's right to have access to a wide range of programming
that viewers freely choose to watch. The other side of that coin
is the audience's right to freedom from what some consider
offensive program content broadcast over a federally-licensed airwave
frequency defined by Congress in 1927 and 1934 as a "natural public
resource" owned by the public. The problem arises from the medium's
pervasiveness (the Supreme Court's wording) which reaches into homes
and beyond to portable receivers, readily available to young children
often unable to be supervised around the clock by parents. FCC chairman
Wiley explained to the Senate Commerce Committee in 1975: "we believe
that the industry reforms strike an appropriate balance between
two conflicting objectives. On the one hand, it is necessary that
the industry aid concerned parents in protecting their children
from objectionable material; on the other hand, it is important
that the medium have an opportunity to develop artistically and
to present themes which are appropriate and of interest to an adult
audience." The issue recurred, as deregulation of broadcast media
in the 1980s and growing permissiveness of program content on proliferating
cable channels was succeeded in the 1990s by widespread calls for
"family values" in media. Senator Paul Simon engineered a waiver
of anti-trust provisions enabling major networks and cable companies
to collaborate on voluntary self-regulatory practices, to preclude
threatened government enactments: "Son of Family Viewing?"
-James
A. Brown
Cowan, Geoffrey. See No Evil: The Backstage Battle Over Sex And
Violence On Television. New York: Simon and Schuster, 1979.
Rowland,
Willard D. The Politics Of TV Violence: Policy Uses Of Communication
Research. Beverly Hills, California: Sage, 1983.