Fireside
Theatre was the first successful filmed series on American network
television. In an era when live television dominated network schedules,
the series demonstrated that filmed programming could be successful
and from the fall of 1949 to the spring of 1955, it was one of the
ten most watched programs in the United States. Following The
Milton Berle Show on Tuesday nights on NBC, Fireside was an
anthology drama that presented a different half-hour story each
week. In 1955, the series was changed to Jane Wyman Presents the
Fireside Theatre, and though it soon became a distinctly different
series under the title, Jane Wyman Theater (1955-58), the title
usually refers to the entire run of the series.
For
the first two years of network series television (1947-49), all
television shows were broadcast live from New York and many were
anthology dramas, presenting weekly hour-long plays. Kraft Television
Theatre, Studio One, and Philco Television Playhouse are
outstanding examples of the form that dominated network schedules
through the early 1950s. Videotape would not be available until
1956, and film was initially thought to be too expensive for weekly
television production. For television critics working during the
early years of the medium, the hour-long anthology dramas, with
their adaptations of literary classics, serious dramas, and social
relevance, represented the best of television. The worst was cheap,
half-hour, Hollywood telefilms that did not, in their view, aspire
to so-called serious drama or social relevance. Fireside Theatre
fit this latter category.
The
television series most often cited as the innovator in filmed programming
is I Love Lucy (which was produced in Hollywood). However,
when I Love Lucy premiered on CBS in 1951, Fireside Theatre had
already been on the air for two years. To the show's sponsor and
owner, Procter & Gamble, film offered several distinct advantages
over live production. It made possible the creation of error-proof
commercials. It allowed for closer control of content and costs.
It created opportunities for added profits from syndication when
programs were sold for repeated airing. And it enabled cost-effective
distribution to the West Coast, not yet hooked into the coaxial
cable network that linked East Coast and Midwest stations.
Producer/director/writer/host
Frank Wisbar is often considered the reason for Fireside Theatre's
success. Frank Wisbar Productions was the sole production company
from 1951-55 and for the show's first several seasons, Wisbar produced
and directed most episodes, and even served as host in the 1952-53
season. To control costs, he wrote many episodes himself and used
public domain and free-lance stories. Writers such as Rod Serling
and Budd Schulberg saw their stories produced and then little-known
and second-string movie actors such as Hugh O'Brian, Rita Moreno,
and Jane Wyatt appeared on the series.
When
Fireside Theatre premiered in April 1949, it began a three-month
experimental period. Some of the 15-minute episodes were live and
some were filmed. Genres were mixed, and included comedies, musicals,
mysteries, and dramas. A half-hour format that presented two 15-minute
filmed stories per episode was chosen for the 1949-50 season. These
early episodes were often mysteries, reflecting Wisbar's background
in horror and mystery movie making. (When these episodes were first
shown in syndication they were called Strange Adventure.)
Later seasons presented half-hour dramas and while the stories continued
to vary in genre (Westerns, comedies, melodramas, mysteries), family
remained the central theme.
From
1953-55 film actor Gene Raymond served as host and by the end of
the 1954-55 season, as ratings declined, Fireside Theatre was
completely overhauled--it became a different series. The title and
theme music changed. But most significantly, film star Jane Wyman
became host and producer. Wyman chose the scripts and acted in many
of the episodes and her company, Lewman Productions, produced the
series. It was now Wyman's show which would remain on NBC until
1958.
Fireside
Theatre established its place in the history of television by
being the first successful filmed network series in the era of live
broadcasting. It was also the first successful filmed anthology
series in an era of prestigious live anthology dramas. Scorned by
critics, it was, for most of its seven seasons, a top-ten show on
American television.
-Madelyn Ritrosky-Winslow
Lafferty, William. "'No Attempt at Artiness, Profundity, or Significance':
Fireside Theatre and the Rise of Filmed Television Programming."
Cinema Journal (Urbana, Illinois), 1987.