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JAFFREY, SAEED
 Saeed Jaffrey Photo courtesy of Saeed Jaffrey SAEED
JAFFREY. Born in Maler Kotla, India, 1929. Attended the University
of Allahabad, MA in history; Staff Training Institute, All India
Radio; Royal Academy of Dramatic Art, 1956; Catholic University,
Washington, D.C., 1956-57, MA. in drama; Actors' Studio, New York.
Married: Madhur (divorced); three children. Radio director, All
India Radio, 1951- 56; began stage career in India as founder, Unity
Theatre, New Delhi, 1951-56, as actor, 1954; performed with his
own company in U.S. tour of Shakespeare, 1957; various stage performances
and tours, 1960s; director of publicity and advertising, Government
of India Tourist Office, U.S., 1958-60; began U.S. television career
with guest appearances, 1960s; began film career in The Guru,
1969, numerous film performances, including roles in Gandhi,
1982, A Passage to India, 1984, and My Beautiful Laundrette,
1986. Member: Actors' Equity Association; Screen Actors Guild; American
Federation of Television and Radio Artists.
TELEVISION
1975-76
Gangsters
1985
Tandoori Nights
1994 Little
Napoleans
TELEVISION
MINISERIES
1984
The
Far Pavilions
1984 The
Jewel in the Crown
MADE-FOR-TELEVISION
MOVIES
1979
The
Last Giraffe
FILMS
The
Guru, 1969; The Horsemen, 1971; The Man Who Would
Be King, 1975; The Wilby Conspiracy, 1975; The Chess
Players, 1977; Hullabaloo Over Georgie and Bonnie's Pictures;
1979; Sphinx, 1981; Gandhi, 1982; The Courtesans
of Bombay (documentary), 1982; Pandit Nehru (narrator),
1982; Masoom, 1983; A Passage to India, 1984; The
Razor's Edge, 1984; My Beautiful Laundrette, 1986; The
Deceivers, 1988; Just Ask for Diamond, 1988; Partition,
1988; Manika, 1988; Dil, 1990; Masala, 1991;
Bollywood 1994; Kartavya, 1995.
STAGE
Othello,
The Firstborn, A Phoenix Too Frequent, Under Milk
Wood, Auto-Da-Fe, The Importance of Being Earnest,
The Cocktail Party, and Le Bourgeois Gentilhomme (All
With Repertory Company, Unity Theatre, New Delhi, India 1951-56);
The Eagle Has Two Heads, 1954; Blood Wedding; 1958;
Twelth Night; 1960; King of the Dark Chamber, 1961;
India: A Dancer's Pilgrimage, 1961; A Passage to India,
1962; A Tenth of an Inch Makes the Difference, 1962; Nathan
Weinstein, Mystic Connecticut; 1966; Captain Brassbound's
Conversion, 1971.
Indian Actor
Saeed
Jaffrcy is one of Britain's best known and most experienced actors,
playing a wide variety of roles in comedy and drama with equal enthusiasm.
He started his performing career in India, setting up his own English
theatre company in Delhi after completing his post-graduate degree
in history. His early theatrical work included roles in produc-tions
of Tennessee Williams, Fry, Priesdy, Wilde, and Shakes-peare. Having
completed his studies at the Royal Academy of Dramatic Art in London,
he went to the United States on a Fuibright scholarship and took
a second post-graduate degree in drama from the Catholic University
in America. From these firm foundationsJaffree set out as the first
Indian actor to tour Shakespeare, taking his company across the
United States and subsequendy joining the Actor's Studio in New
York, where he played the lead in off-Broadway productions of Lorca's
Blood Wedding, Rashomon, and Twelfth Night. Jaifrey is an accomplished
stage actor and has appeared on Broadway and at London's West End
in a diverse range of characterisations.
His work in television has been just as varied. He appeared as Jimmy
Sharma in Channel 4's first "Asian" comedy, Tana'oori Nights and
as the elegiac Nawah in Gra-nada Television's adaptation of The
Jewel in the Crown. It was arguably his performance as the smooth
Rafiq in the BBC cult-classic Gangsters that brought him to national
recognition, even though he had been acting in both theatre and
television for several years previously.
In some ways, Jaifrey's character types have been broadly similar
and, like Clint Eastwood, he always plays himself playing a character.
His impeccable English accent, his dapper style and his catch-phrases-"My
dear boy"-are part of his acting persona. His smooth charm is used
to good effect whether he plays the archetypal oily, corrupt Asian
businessman or the kindly, knowing father figure. In 1994 he co-starred
with Norman Beaton in Michael Abbensett's new TV series, Little
Napokons, for Channel 4, playing once again a successful lawyer-cashmere
coats, flashy car, doting daughter-who wants political as well as
economic power.
Jaffrey's
career has spanned several decades and it is still unfortunately
the case that he is one of a handful of Indian actors who is regularly
in employment, be it for radio, television, or the stage. Although
this is good news for him, his prodigious success and his ability
to talk the right lan-guage means that he is a hard act to follow
for younger talent trying to penetrate a hard-faced industry.
-Karen
Ross
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