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THE LONE RANGER
 The Lone Ranger CAST
The Lone Ranger (1949-52, 1954-57).......Clayton Moore The
Lone Ranger (1952-54)............................John Hart Tonto...................................................Jay
Silverheels
PRODUCERS
Sherman Harris, George W. Trendle, Jack Chertok, Harry H. Poppe,
Paul Landers
PROGRAMMING HISTORY 221 Episodes
ABC
September 1949-September 1957 Thursday 7:30-8:00 June 1950-September
1950 Friday 10:00-10:30
U.S. Western
The Lone
Ranger originated on WXYZ radio in Detroit in 1933. Created
by George W. Trendle and written by Fran Striker, the show became
so popular it was one of the reasons why several stations linked
together to share programming on what became the Mutual Broadcasting
System. Aimed primarily at the children's audience, The Lone
Ranger made a successful transition to ABC televi-sion in 1949.
Several characteristics were unique and central to the premise of
this western, and the initial episode which explained the legend
was occasionally repeated so young viewers would under-stand how
the hero gained his name and why he wore a mask. The Lone Ranger
was one of six Texas Rangers who were ambushed while chasing a gang
of outlaws led by Butch Cavendish. After the battle, one "lone ranger"
survived, and was discovered by Tonto, a Native American who recognized
the survi-vor as John Reid, the man who had saved his life earlier.
Tonto thereafter referred to the ranger as "kemo sabe," which is
trans-lated as "trusty scout." After Tonto helped him regain his
strength, the ranger vowed to hide his identity from Cavendish and
to dedicate his life to "making the West a decent place to live."
He and Tonto dug an extra grave to fool Cavendish into believing
all six rangers had died, and the ranger donned a mask to protect
his identity as the single surviving ranger. Only Tonto knows who
he is ... the Lone Ranger. After he and Tonto saved a silver-white
stallion from being gored by a buffalo, they nursed the horse back
to health and set him free. The horse followed them and the Lone
Ranger decided to adopt him and give him the name Silver. Shortly
thereafter, the Lone Ranger and Tonto encountered a man who, it
turns out, has been set up to take the blame for murders committed
by Cavendish. They estab-lished him as caretaker in an abandoned
silver mine, where he produced silver bullets for the Lone Ranger.
Ev-en after the Cavendish gang was captured, the Lone Ranger decided
to keep his identity a secret. Near the end of this and many future
episodes, someone asks about the identity of the masked man. The
typical response: "I don't rightly know his real name, but I've
heard him called... the Lone Ranger."
The Lone Ranger
exemplified upstanding character and righ-teous purpose. He engaged
in plenty of action, but his silver bullets were symbols of "justice
by law," and were never used to kill. For the children's audience,
he represented clean living and noble effort in the cause of fighting
crime. His values and style, including his polished manners and
speech, were intended to provide a positive role model. The show's
stan-dard musical theme was Rossini's "William Tell Overture," accompa-nied
by the Lone Ranger voicing a hearty "Hi-Ho, Silver, away" as he
rode off in a cloud of dust. Clayton Moore is most closely associated
with the TV role, but John Hart played the Lone Ranger for two seasons.
The part of Tonto was played by Jay Silverheel-s. After the original
run of the program from 1949 to 1957, it was regu-larly shown in
reruns until 1961, and later in animat-ed form. The Lone Ranger
has also been the subject of comic books and movies. Both the original
and animated versions of the program have been syndicated. Perhaps
no fictional action hero has become as established in our culture
through as many media forms as the Lone Ranger. Clayton Moore made
personal appearanc-es in costume as the Lone Ranger for many years,
until a corpora-tion which had made a feature length film with another
actor in the role obtained a court injunction to halt his wearing
the mask in public. Moore continued his appearances wearing oversized
sun glasses. He later regained the right to appear as the Lone Ranger,
mask and all.
-B.R.
Smith
FURTHER
READING
Calder, Jenni. There Must Be a Lone Ranger. London: Hamilton,
1974.
Glut, Donald F., and Jim Harmon. The Great Television Heroes.
New York: Doubleday, 1975.
MacDonald, J. Fred. Who Shot the Sheriff? The Rise and
Fall of the Television Western. New York: Praeger, 1987.
Rothel, David. Who Was That Masked Man? The Story of the Lone
Ranger. San Diego: A. Barnes, 1981
West, Richard. Television Westerns: Major and Minor Series,
1946-1978. Jefferson, North Carolina: MacFarland, 1987.
Yoggy, Gary A. Riding the Video Range: The Rise and Fall of the
Western on Television. Jefferson, North Carolina: McFarland,
1994.
See
also Westerns;
Wrather,
Jack
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