CAST

Al Bundy....................................................... Ed O'Neill Peggy Bundy.............................................. Katey Sagal Kelly Bundy..................................... Christina Applegate Bud Bundy .............................................David Faustino Steve Rhoades (1987-1990)..................... David Garrison Marcy Rhoades D'Arcy........................... Amanda Bearse Jefferson D'Arcy (1991- ) ...........................Ted McGinley

PRODUCERS Ron Leavitt, Michael G. Moye, Katherine Green, Richard Gurman, John Maxwell Anderson

PROGRAMMING HISTORY

FOX
April 1987-October 1987                       Sunday 8:00-8:30 October 1987-July 1989                        Sunday 8:30-9:00 July 1989--                                          Sunday 9:00-9:30

Married...With Children, created by Michael Moye and Ron Leavitt, premiered as one of the new FOX Broadcasting Company's Sunday series in 1987. Moye and Leavitt had previously produced The Jeffersons, a long-running comedy about a black entrepreneur who becomes wealthy and moves his family to an almost all-white New York City neighborhood. Set in Chicago, their new show was a parody of American television's tendency to create comedies dealing with relentlessly perfect family. Their program was immediately termed "anti-family."

At the time of MWC's appearance, the top-rated television series was The Cosby Show. In the Cosby version of family, an African-American doctor and his attorney-wife raised their college bound offspring in an upper-middle-class environment. Instead of such faultless people, Moye and Leavitt presented "patriarch" Al Bundy (Ed O'Neil) whose family credo is, "when one of us is embarrassed, the others feel better about ourselves." In Married...With Children, almost every character is amusingly tasteless and satirically vulgar.

Bundy is a luckless women's shoes salesman who hates fat women, tries to relive his days as a high-school football hero, and does almost anything to avoid having sex with his stay-at-home, bon-bon eating spouse Peggy (Katie Sagal). Peg loves to shop and her ability to buy always exceeds Al's capacity to earn. She refuses to cook and the Bundys must take desperate measures to stay fed, frequently searching beneath the sofa cushions for crumbs of food. After one family funeral, the Bundys steal the deceased man's filled refrigerator. Peggy's clothes are too tight, her hair too big, make-up too thick, and heels too high. She wants sex as much as Al avoids it.

The Bundy's stereotypically beautiful dumb blonde daughter, Kelly (Christina Applegate), is a frequent target of their naive con artist son, Bud (David Faustino). Moye and Leavitt created Kelly in the guise of Sheridan's Mrs. Malaprop; she can never manage to find the right word and her verbal confusions are felicitous. According to Bud, Kelly will have sex with any available male. In one episode, Kelly acquires backstage passes to a rock concert and announces she is just one paternity suit away from a Caribbean home. The Bundy's think Bud has no chance of ever attracting a date; running jokes mention his collection of blow-up rubber women. All characters have a common failing: none exercises good judgment.

In MWC Moye and Leavitt not only lampoon Cosby, they parody its creator, Marcy Carsey. The other continuing characters in Married...With Children are Al and Peggy's upscale next door neighbors, Jefferson and Marcy D'Arcy. Marcy and her husband serve as a device to entice and challenge the Bundy clan, then put them down. Marcy (Amanda Bearse) is a banker and activist for almost any cause which defeats Al's current get rich quick scheme. She marries Jefferson (Ted McGinley) while drunk and discovers him in her bed the next morning. He has no career although he has claimed to be a clever criminal, now living in the witness protection program. Marcy's first husband Steve Rhoades (David Garrison) makes frequent guest appearances.

The show had a small, loyal following until February 1989, and the producers had a history of arguments over taste and language with FOX's lone, part-time network censor. One episode, "A Period Piece" in which the Bundy and Rhoades families go camping, was delayed one month in the broadcast schedule because it focused on the women's menstrual cycles. Two months later, the episode scheduled for 19 February 1989, "I'll See You in Court," was pulled from the schedule and never aired on the FOX network. The episode involved sexual videotapes of Marcy and Steve, which Al and Peggy viewed when they rented a sleazy motel room. When both couples realized their activity at the motel was broadcast to other rooms, they sued. The jury chose to compensate the couples for their performance quality, with Al and Peggy getting no money.

That same winter, two weeks after "A Period Piece," an episode titled "Her Cups Runneth Over" led to a social stir. The segment featured Peggy's need for a new brassiere, which coincided with her birthday. Al and Steve traveled to a lingerie shop in Wisconsin where an older male receptionist wore nothing below his waist but panties, a garter belt, stockings and spike heeled shoes. Steve fingered leather-fringed falsies attached to the nipples of one near-naked mannequin; women flashed Al and Steve, though the nudity was not shown on camera.

One television viewer, Terry Rakolta, from the wealthy Detroit suburb of Bloomfield Hills, Michigan took offense at the show after the brassiere episode. She saw her children watching the program and found both the language and partial nudity unacceptable for viewing during a time when children made up a large portion of the audience. Rakolta acted by writing to advertisers and asking them to question the association of their products with Married...With Children's content. She also brought her cause to national television news shows.

In March 1989 Rakolta said on Nightline, "I picked on Married...With Children because they are so consistently offensive. They exploit women, they stereotype poor people, they're anti-family. And every week that I've watched them, they're worse and worse. I think this is really outrageous. It's sending the wrong messages to the American family."

Rakolta had mixed success. Advertisers such as major movie studios and many retail stores refused to buy commercials on the new FOX network (prime time telecasts had started less than two years earlier). Media brokers cited a bad connotation. Newsweek magazine featured a front page story on "Trash TV" questioning the standards of taste in prime time television. Married...With Children and tabloid news shows such as A Current Affair were primary examples. Yet the greater effect was strongly positive.

Among FOX's greatest problems at the time of the controversy was limited viewer awareness. Many viewers simply did not know a fourth network existed. Related to this was the fact that a small, similar viewing group comprised FOX's entire audience. Moreover many FOX stations had weak UHF signals which were difficult to receive. Rakolta's complaints garnered substantial national publicity and this seemed to assist the network in solving many of its difficulties. After Nightline, Good Morning America, Today and most other national and local news shows featured the controversy over Married...With Children viewer awareness rose dramatically. People purposely sought out their local FOX affiliate and Married...With Children became a success.

By April 1989 Married...With Children had reached a 10 rating according to Nielsen's national measurements, the highest rating of any FOX show to that date. FOX began charging the same amount for commercials in Married...With Children that CBS asked for 60 Minutes. The program began intermittently winning its time slot.

By 1995, the show had become the longest-running situation comedy currently programmed on network television, on the air as long as the classic comedy Cheers. After many years, Married...With Children no longer pushed new boundaries of good taste and the jokes became routine and expected, even when still funny. The show did, however, have an extremely lucrative afterlife in daily syndication, running strongly for years in many markets. In Los Angeles, FOX's station KTTV ran the program twice each weekday in primetime access. Daily viewership for the show continues to be strong and with at least ten seasons of episodes to add variety to off-network nightly reruns MWC is likely to consistently remain one of the most successful properties in the history of television syndication.

-Joan Stuller-Giglione