YTV
is a Canadian cable television network aimed at young people up
to the age of 18. Since its launch in September 1988, YTV has proven
remarkably successful, far surpassing even its most optimistic economic
and audience projections. An important part of YTV's success is
predicated upon its ownership structure. Although investors include
numerous producers with a long-standing commitment to children's
television, over 50% of YTV is owned by just two cable firms, CUC
Ltd. and Rogers Communications, the latter being Canada's largest
cable operator. Their financial interest has helped make YTV available
in the over 85% cabled homes in Canada. This high rate of cable
penetration has in turn made YTV an attractive advertising vehicle
for products and services aimed at a youth demographic.
Additionally, YTV has been able to insert itself into a traditional
area of Canadian programming strength. Canadian production companies
have long excelled at children's and young people's programming
for three main reasons: (a) children's programming was relatively
inexpensive, (b) it could easily be exported, and (c) it tended
to be neglected by more powerful American production companies.
As a result, YTV has been able to draw upon a considerable catalogue
of Canadian children's programming and to provide opportunities
for the expansion of this traditional expertise.
Finally,
YTV has proven very successful in attracting its target audience.
It engages in extensive polling of young people to determine their
aspirations and concerns, buying patterns, political views, and
to spot trends. As a result, YTV has crafted a schedule which mixes
old, familiar shows with new, highly-targeted programs. YTV has
therefore very rapidly emerged not only as a leading showcase but
also an important producer of children's programming. It has produced
or co-produced such shows as Maniac Mansion, The Adventures of
the Black Stallion, Deke Wilson's Mini-Mysteries, and StreeNOISE,
some of which have received wide international distribution.
Indeed, YTV regularly exceeds its Canadian content production requirements
by very wide margins.
YTV
has also emerged as a socially conscious broadcaster which contributes
to numerous charities and fund raisers (Children's Wish Foundation,
Muscular Dystrophy, Kids Help Phone, etc.) and which provides educational
grants. In its few years, YTV has already received several national
and international awards for excellence in programming, for promoting
international human rights, for aiding the cause of literacy, and
for work in other areas of social concern.
Ironically,
YTV's greatest problems have come not from the marketplace or from
viewers but from the Canadian Radio-Television and Telecommunication
Commission (CRTC). In its concern that YTV not appeal to audience
members or age groups beyond its mandated audience, and thereby
threaten the market of established broadcasters, the CRTC instituted
the "protagonist clause" also known as the "Little Joe" rule. This
clause requires that 100% of YTV's drama programming broadcast in
the evening feature "a major protagonist that is a child, youth
under the age of 18 years, puppet, animated character or creature
of the animal kingdom."
The
clause acquired its nickname when YTV discovered that Little Joe,
a main character of Bonanza which it had purchased to strip
in prime time, actually celebrated his 19th birthday in one of the
early episodes. The CRTC ordered Bonanza off the air and
YTV has since lobbied to have the clause removed or altered.
YTV
complains that the protagonist clause prevents it from showing material
which legitimately appeals to its target audience--characters such
as Superman, Batman, and Robin Hood, who are all well
over 18--hockey superstar Wayne Gretzky, works of classic literature
such as Great Expectations in which the hero starts as a
child but grows past 18, the life-stories of most musical groups,
and so on. YTV adds that it is difficult to co-produce or sell internationally
if a major protagonist must be "a puppet, animated character or
creature of the animal kingdom."
YTV's
efforts met with some success when the CRTC amended the protagonist
clause in 1992 to include comic book characters, folk and superheroes,
and classical or historical heroes. Nonetheless, YTV has generally
managed to reach a loyal audience, to produce hundreds of hours
of original content, and to ensure its financial success while also
meeting public service and social responsibility objectives.
-Paul
Attallah